Hype girl polite society11/30/2023 Your support helps us deliver the news that matters most. Then on Monday, May 8 we will have a screening of “Blackberry” followed by a Q&A with director, co-writer and actor Matt Johnson and actors Glenn Howerton and Jay Baruchel.Įnjoying this newsletter? Consider subscribing to the Los Angeles Times On Monday, May 1, we’ll have a screening of “Book Club: The Next Chapter” with director and writer Bill Holderman and producer and writer Erin Simms for a Q&A. The next two Mondays will see us hosting Indie Focus screening series events at the Culver Theater in Culver City. Maisel,” will be appearing at screenings at the Landmark Westwood Friday, April 28, and the Laemmle Glendale on Saturday, April 29. Director Daisy von Scherler Mayer, who has recently been working on the hit series “Yellowjackets” and “The Marvelous Mrs. (And is still a scene-stealer in the new “Beau Is Afraid.”) The story of an irrepressible NYC club kid (Posey) who takes a job as a librarian, “Party Girl” was just released on Blu-ray by Fun City Editions, and FilmRise is giving its new 4K restoration a limited theatrical run. The 1995 film “Party Girl” is a sly charmer, a time capsule of its moment and one of the best examples of why Parker Posey was such a darling of the indie film scene at the time. The movie is a monumental achievement and a fantastic stepping stone into the world of experimental film for the uninitiated/curious. Presented with his short films “Standard Time” and “See You Later (Au Revoir)” will be Snow’s 1967 film “Wavelength” - a rare chance to see it in a theater. On April 30, the good folks at the Mezzanine film series, co-presenting with Los Angeles Filmforum, are putting on a tribute to Canadian filmmaker Michael Snow, who died last year at 94. But the community around that filmmaking represents some of the purest examples of truly independent spirits one can hope to find. Michael Snow and “Wavelength.” I admit that experimental/avant-garde filmmaking is a blind spot for me and so we probably don’t talk about it enough here. Aside from the three films feature below, Cristian Mungiu’s “R.M.N.” and Lucien Castaing-Taylor and Véréna Paravel’s documentary “De Humani Corporis Fabrica” also hit local theaters this week. This is one of those weeks when there are more worthwhile films being released in L.A. ![]() But Belafonte’s contributions to the civil rights movement and his stature as a beacon of change made him so much more. His career as a singer and his performances in films such as “Carmen Jones,” “Odds Against Tomorrow” and “Buck and the Preacher” made him a star, and his work in the more recent “Kansas City” and “BlacKKKlansman” reminded us of his many talents. Welcome to another edition of your regular field guide to a world of Only Good Movies.įew people are as deserving of the labels legend and icon as Harry Belafonte, who died this week at age 96. ![]() ![]() Downtown love Don't want none of your downtown love Downtown love Don't want none of your downtown love Just wonderin' if you notice me Just wonderin' if you notice me Wood floors in your Soho apartment Every morning always roll one and spark it Credit cards left on your glass table You been wildin' since I met you last April A beautiful, outgoing, alcoholic, socialite Like the way I talk to you, I was so polite Always claimin' that you're not the type to notice hype But that's the reason why we kicked it and you know it's right I was your Bob Dylan, you were my Edie Sedgwick But where I used to see beauty, now I just see pathetic It was fun while it lasted but you'll never get it You're living in your own world, where love is all synthetic Yeah, and now you walk around woefully For a minute thought about forever like it's Jodeci But now you're spiraling and falling over hopelessly And I just wonder if you notice me, yeah And you're just spending your allowance cash On some shopping sprees, drinks, and a powder stash But it drains like the sand in an hour glass And when it does is when I see you turnin' sour fast Free falling from the sky 'till the gravel caught us Spending cash, burning holes in her fragile pockets Doin' drugs on the surface of Apple products Started beautiful but look at where havoc brought us And it was fun but I could never be the one for you You're never happy, always looking 'round for something new But it was unbelievable when I was fucking you Thought that I was momentarily in love with you Nah, see you're in love with material And even more in love with attention Walking through life so eager for affection And never really was a connection, nah So in love with the scene she was 4AM is when she leaves clubs She's.Hello! I’m Mark Olsen.
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